Spis treści i strony tytułowe / Polska Sztuka Ludowa - Konteksty 1957 t.11 z.4

Item

Title
Spis treści i strony tytułowe / Polska Sztuka Ludowa - Konteksty 1957 t.11 z.4
Description
Polska Sztuka Ludowa 1957 t.11 z.4 ; s.193-4
Date
1957
Format
application/pdf
Identifier
oai:cyfrowaetnografia.pl:3848
Language
pol
Publisher
Państwowy Instytut Sztuki
Relation
oai:cyfrowaetnografia.pl:publication:4125
Text
TREŚĆ:
str.
Ludwik
Maria
Olga

Dubiel

Cieszyńska

ceramika

Woleńska

Rzeźby

Dymitra

Mulkiewicz

Ozdoby

rysowane

Nicolae

Dunare

Siedmiogrodzkie

.

.

.

Bilińskiego

.

.

.

piaskiem

.

.

.

kafle ludowe

.

.

.

Anna

Kowalska-Lewicka

H a f t biały na P o d h a l u

Maria

Przeździecka

Na

ludowa

.

195

.

216

208

224
229

ochweśników .

250

Na okładce: Kobieta
„pisząca" wzór p i a s k i e m . Gorzuchowo,
pow.
Fot. J. Swiderski.
Na stronie tytułowej:
Pieta (fragment),
rzeźba w
wykonał D. Biliński. Fot. Michał
Maśliński.

Gniezno.
drzewie,

tropach

skulskich

P

O

L

I

S

H

QUARTERLY

F
PUBLISHED

N. 4

BY

O

THE

L

STATE

K

A

INSTITUTE

OF

R

T

ART

YEAR BOOK X I

1957

SUMMARY OF ARTICLES

Ludwik

Dubiel

The

Cieszyn

extinct

CIESZYN

Silesia

branches

workshop
down



was

before

of

pottery
folk

last

POTTERY

to

bellongs

today

industry.

close

in

The

Jan

to

1936, o t h e r s

The

the

Roszka's
closed

1914.

Wisła

Pottery.

B y t o m and

Cieszyn

of

earthenware

exhibits

in

Wisła.

are

They

Museums

have a

produced

large

number

most

dishes,

probably

bottle-like

and

p o t - l i k e vessels as w e l l as a s p e r g i l l a ( D r a w i n g s 33, 34).

I n t h e 1 9 - t h c e n t u r y , Jabłonkowe, Skoczów, Wisła,
Strumień, T o s z o w i c e , B i r y a n d C i e s z y n

were pottery

centres.
The

The

earthenware

sand

content.

were

all pottery

was

made

Workshops

of fat clay w i t h

were

workshops

land. Pottery-ware

made

poorly

equipped,

i n other

parts

t o e a r l e r , c o u l d be d i s t i n g u i s h e d b y s h a p e

Po­

referred

and orna­

mentation.

Jan Skamander
ware

for

ka's

jugs

19-th

This
16

centre

red

clay

The

and

covered

known

already

in

patterns

were

made

with

4). T h e

sed

glazed jugs

the appearance

also

engravings
glazed

29 —
A

of

(Drawing

jugs

with

sented

by

often

the period



Table

vessels, o r
vessels.

preceding

potters

unomamented

used

else

cups

mode

on

to

jugs.

8).

the

Oven-ware
the

II

and

began

t o be

10, T a b l e 1—10)
Smaill glazed

period

feed

babies,

preceding

The

the

clay, w i t h

earlier

parallel

(Drawing
engraved

beer

and

(50

water

potters

also

those

they

to

Table

dishes

I I , 1—7,

cm.

be

tripod

placed

with

were

in common

world

were

a

the

end

near
use

in

ravian

have

the

The

glazing

was

directly

pottery.

9) w e r e u s u a l l y

influenced

name

of



white.

(42

cm

vodka

the owner

either

turn

with

of

or

From

among

worthy

of

floral

the other

m e n t i o n is

pat­

of

belly.

and

vesels

are
them

on the

dark,

Raszka's

Drawing

unomamented

inside

the
plain

25)

Some

some­

are

26). V e r y

very

numerous

light-brown

p i p k i n s . ( T a b l e I I I 19—21), as w e r e h i s
dishes

of

recent

(Drawing

painted

light

Some

high —

Raszka's

Rasz-

painted

1915—1935. F r o m t h e o l d e r

holding

is

large
were

the

more

t h e i r o r i g i n a l shape.

times

glazed

cone-shaped

ornamentation.
vessels

of

this

workshop,

the oven-foaking-ware

of

va­

r i o u s shapes: r o u n d , i n t h e f o r m o f a h e a r t , o r i n t h e
s h a p e o f v a r i o u s a n i m a l s , as w e l l as t h e s m o k e - b e e s
devices a n d aspergilla. T h e l a t t e r , made

i n the T h i r ­

ties, w e r e i n s p i r e d b y K a r o l Prauss, a local
All

of

t h e m are

brown

convex ornaments
punch-press).

glazed

(with the

The

and

aid of

aspergilla

are

inferior

to

their

collector.

decorated

with

an engraver
overloaded

ornaments and f r o m the aesthetic p o i n t of

The

on

or
with

view

are

predecessors!.

pottery
by

The

pottery made

i n t h e Strumień w o r k s h o p
many

the

p r o d u c t s are k n o w n . Smaill non-tglazed

cream

gla­

c h a r a c t e r i s t i c o f Strurndeń e a r t h e n w a r e ,

1—13,

the

(the

Slovak

Pottery.

vicinity. Not

ornamented

covering

Strumień

sold
red

brown

on them. (Table

Jaibłonkowo

for

from
and

groups:

the)

war.

entire

only

earliest

i n t h e nearest

jugs produced

by the potter Leopold

as a r e f l o w e r - p o t s
a n d t w i n s . (Talbie
The

was
its

colou­

Kasza

(Drawing

a n d other pots With t w o

are
30)

handles

I I I , 1.).

earthenware
destined

of

from

Strumień

workshops

sale

i n towns;

its

for

was

ornamented

vessels d i d n o t l i v e u p t o S i l e s i a n p o t t e r y t r a d i t i o n s ;

18

cen­

p a r t l y i t i m i t a t e d S l o v a k p o t t e r y . I n 1937, t h e w o r k s ­

and

Mo­

hops

p a t t e r n s k n o w n to t h e a u t h o r are f r o m t h e
tury)

centuries

earthen­

aspergilla.

into two

originating

for

also

"skillets"

directly

stem

u s u a l l y of

grooves

vessels

mainly

general,

divided

jugs

all kinds of

and

D r a w h i n g 3.

were

to

16,

surface.
In

use,

Reszka).

diameter)

m a n u f a c t u r e d ait t h e

no ornaments

14, 25). T w i n s

Ja­

they resembled

jugs
first

Jabłonkowe pots

II,

brown

similar

These

(Drawing

(most

dark

6 and

large

the

handle to

pre­

w o r l d war,

plain,

Jabłonkowe

ornaments

19th c e n t u r y .

fire.

is

4,5, T a b l e s

first

make

The

(Drawing

25

1 —

a n d s m a l l e r
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